best 1994 albums

There was no greater year for alternative music’s cultural boom than 1994. Early on, Green Day’s Dookie shot them into the stratosphere, and the Offspring weren’t far behind. In the hip-hop realm, Nas created a debut that’s still cited as one of the genre’s best, whereas Beastie Boys continued to prove themselves as genre-fluid rappers (including a scorching performance of “Sabotage” on Letterman). Later in the year, Oasis’ Definitely Maybe became the fast-selling debut in the U.K., Korn’s self-titled signaled the beginnings of nü metal, and Nirvana’s MTV Unplugged was put on wax. As all those releases turn 30 this year, we asked our readers to call out the best 1994 albums of all time. These are the top picks, ranked accordingly below.

Read more: 10 most criminally underrated Green Day songs

5. The Offspring – Smash

1994 was a major year for punk, offering up a bunch of releases that are considered essential in the modern era. Not only is Smash the greatest Offspring album, but it’s the one that made them reach the mainstream. Featuring underdog anthems (“Self-Esteem”), quirky hits (“Come Out and Play”), and skate-punk blasts (“Nitro (Youth Energy)”), the Orange County group seriously leveled up. In the same vein as Dookie, purists dismissed the band when they signed to Columbia after the album’s release, but they trusted their instincts and eclipsed the people around them. Three decades later, Smash remains the biggest-selling rock album released on an indie label.

4. NOFX – Punk In Drublic

But if you’re talking about skate-punk triumphs, it’s hard to top NOFX’s Punk In Drublic. Heralding one of the genre’s most vital songs, “Linoleum,” the band’s fifth and best LP is packed with crass humor, scuzzy pop punk, and an abundance of enduring anthems that proved why they’re pop-punk giants. Who else could juggle songs about ineffective governments and “confused” Epitaph employees? Punk In Drublic, and NOFX in general, influenced a legion of bands — and later became the name of their long-running festival.

3. Nine Inch Nails – The Downward Spiral

Nine Inch NailsThe Downward Spiral is a masterpiece, so of course it was going to make this list. A concept album around a man’s self-destruction, the album was recorded at Trent Reznor’s home studio — which is where members of the Manson cult murdered Sharon Tate in the late ’60s. The location only added to the record’s bleak, chilling atmosphere. Overtop throbbing darkness, the protagonist, who reflected Reznor’s crumbling mental state, contends with addiction, violence, and religion. Not only did the LP culminate in the quavering “Hurt” (which was later covered by Johnny Cash), but Reznor elevated industrial rock and, in turn, culture.

2. Weezer – Weezer (“The Blue Album”)

Weezer’s self-titled debut LP marked a palpable shift in alternative rock. As grunge faded away, the band’s geeky power pop — stuffed with hook after hook — permeated the culture and made them mainstays on MTV. Lovingly referred to as “The Blue Album,” the songs ripped, populated with searing guitar solos that still hold up today. Lyrically, the band plunged into the anguish of social gawkiness, alcoholic parents, and generally feeling like an outsider. It’s all killer, no filler from start to end — a life-affirming mix of power chords, 12-sided die, and looking just like Buddy Holly that the band have been celebrating on their recent anniversary tour.

1. Green Day – Dookie

Are you surprised? Dookie launched Green Day into the mainstream and altered the trajectory of their careers forever, which made it one of 1994’s buzziest releases. Given the clearer genre divides at the time, their major-label debut attracted a lot of attention, from the Highlights-inspired cover artwork to the ruthless criticism of their peers. Punk purists wrote the band off, branding them “sellouts” and baring them from 924 Gilman Street. However, thousands of others saw themselves in their snotty punk blasts about apathy, masturbation, and anxiety, which made them ascend. Dookie isn’t just one of the most influential albums of 1994 — it embodies an entire generation of disenchanted youth.

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